Of course I asked….it just wasn’t until later that evening!
…Although a chicken roll call would be most amusing.
I promise the rest of this story isn’t just a bunch of bad puns.
But I had to get that one in, given the subject matter.
Remember my last post about the September Strange?
I wasn’t kidding.
Starting today, I will episodically post this saga, wherein a fowl has found herself adrift in suburbia, and the adventure that ensues.
This story is totally true (with some added punchy humor, of course.)
Guys, I have a theory.
I’m convinced that my theory is like Einstein’s Theory of Relativity: not necessarily provable enough to be a law, yet it’s still so undeniably true that it should be a law anyway.
September is the month when the crazies emerge.
I don’t know why this is, but I can prove it’s true because when I sat down to sketch just some of the weirdness I’ve come across over the last two days, I was flipping through my sketchbook and saw I had recorded the same kinds of weirdness on the exact same dates last year.
Coincidence? Certainement pas.
I don’t know what it is about September that makes The Strange happen.
Is it the barometric pressure? An astrological alignment? Or has it something to do with the atmospheric change in the Southeast when the seasons change from sweltering August to still-sweltering September?
Does the annual arrival of the much-anticipated PSL strike such a desperate yearn for cooler temperatures that the hoards of pumpkin-spice-addicts become completely unhinged when the realization hits that NC’s September weather will NEVER deliver on the Insta-cozy, cottage-core vibe they were hoping would suddenly imbue their souls after their first sip?? Does this unhinged-ness then propel itself into the atmosphere, coating everything it touches like so many motes of pollen?
Anyway, it’s just a theory.
With company over last weekend and this week shaping up to be very full as well–we have a toddler starting a Mommy and Me gymnastics class and a husband who has started school again–I haven’t found the energy to post something lately.
So: for now, here is a quick sketch of M., happily stacking plastic rings after dinner this evening.
I had a realization yesterday afternoon that just about shook me to the core.
I was toying around again with the idea of going back to a personal project I had shelved more than a year ago, (more on that to come), and had even hauled out my watercolors to start painting, when a distinctly and increasingly uncomfortable feeling began creeping up my spine. As I watched the painted sections dry, a sudden awareness came into focus like a developing polaroid: I no longer like to work in watercolor the way I have been. The worst part? I can’t remember a recent time when I did.
For an artist whose current career has been built on a certain medium, this is akin to waking up one morning and suddenly realizing that you have been in a souring relationship for many years and despite your numerous, desperate attempts to save it, it has, in fact, gone permanently south.
And, like many relationships that fall apart, there have been obvious (ignored) signs along the way. So many signs that you feel like a total idiot for not recognizing them in the first place. (Or, perhaps, it was the refusal to recognize them).
I’m not saying it’s time to chuck, along with my brushes, every single tube of Daniel Smith and Winsor & Newton out the window, but this is a sure sign I need to step back, scrub out my old painting palette, reevaluate, and ask myself some questions. Maybe I need to expand my current color palette? Maybe I need to try some dyes? Maybe I need to take a seriously long break from watercolor altogether.
The long and short of it is, the current situation of this “relationship” needs to drastically change. I don’t know what it will look like in the end, but for now, there’s a road ahead of me and I have to travel it.
This little china cup, odd though it may be, embodies everything I associate with my Grandma. In fact, if I had to choose only one thing out of all of her many collections of objects (for she had many tchotchkes too numerous to recount here, from beer steins with painted faces lining the top of a china cabinet to a small collection of glass elephants, trunks rearing up at the ever-silent, antique cuckoo clock hanging in the hallway, its tiny bird patiently waiting to reanimate once again) I would choose this cup over anything else.
We didn’t get to visit that often since Grandma lived so far from us, so when we did it was all the more special, and I like to think she marked the occasion as well, letting me drink my morning milk from the china “milkman cup” as she called it.
I don’t know much about the cup, (or the whole set, for that matter, for I own it in its entirety now) other than that it was made in Japan, possibly in the 50’s or 60s, but it doesn’t matter that much to me whether it’s vintage or antique, worth a lot of money or chump change: the memories it holds would fill a hundred cups of its kind.
It also makes a pretty rad little still life.
Tonight’s drawing of my snoozing son is inspired by a sweet aria entitled Evening Prayer from the opera, “Hansel and Gretel,” by Engelbert Humperdinck. (And no matter how beautiful the music is, I cannot for the life of me get over that name. What did his mother call him? Lil Dinkey? What did his friends call him? Bert? Did he have any friends named Ernie?)
I digress. To the point, it’s a wonderful lullaby and a dreamy tune, with lyrics which I will inscribe herein:
When at night I go to sleep, Fourteen angels watch do keep, Two my head are guarding, Two my feet are guiding, Two are on my right hand, Two are on my left hand, Two who warmly cover, Two who o’er me hover, Two to whom tis given to guide my steps to heaven.
Sleeping softly then it seems, Heaven enters in my dreams; Angels hover round me, Whisp’ring they have found me; Two are sweetly singing, Two are garlands bringing, Strewing me with roses, As my soul reposes. God will not forsake me when dawn at last will wake me.