Happy Saturday! I know it has been several days since I have posted, but hopefully the wait will have been worth it since I had to spend some time filming and troubleshooting a: (drum-roll please…) time-lapse video for the first timeever!
That’s right, folks. Today you get to see one of my drawings come to life before your very eyes–several hours worth of work blitzing by in a matter of seconds for your viewing pleasure! (And maybe for your inspiration as well.)
As you can see in the video, this piece is a bit larger and more involved than most of the work I have been posting here of late, so it was filmed over two days. Unfortunately, on the second day my filming angle got a bit off-kilter, but you get the bonus of seeing my wonderful mother-in-law drop in to chat with me about family resemblance and the dog chase our cat out of the frame (Ah, family life!)
As a double bonus you get to hear my lilting voice describe a few of the techniques I’m using so any viewer can take those little nuggets of knowledge and apply them to their own pastel adventures, too.
Sometimes I even say to myself, “Seriously? Another black-and-white drawing?”
“Yes. Got a problem?”
There is something I really love about black-and-white. No matter how many color pieces I do, black-and-white is like that one boyfriend who you just keep going back to, not because he’s a sleazy hunk and a cheap date, but rather because he’s a romantic. He’s the boy next door who maybe everyone else failed to notice but you–and every time you come back, golly he just gets cuter.
In fact, a former professor was once singing the praises about the virtues of black-and-white art-making, saying that, “It’s really all you need. All of the visual information you ever need is there.”
I remembered this phrase, interestingly, on the heels of browsing one of my favorite textbooks by Martin Salisbury, where he states (and I paraphrase): “The important thing (about drawing) is whether or not the approach serves the drawing’s purpose.”
So. Let a drawing serve it’s purpose. i.e.: Show only what needs to be shown. Get rid of the weeds. Don’t overly complicate a piece if it shouldn’t be complicated, WHICH INCLUDES not adding color if it isn’t necessary.